![\"Robert](\"https:\/\/kotrla.com\/pmpro\/wp-content\/uploads\/2019\/10\/robert_golan_romske_cesty.jpg\")
<\/a>Ve\u00a0fotografick\u00e9 publikaci Romsk\u00e9 cesty<\/em> vypr\u00e1v\u00ed fotograf Robert Gol\u00e1\u0148 obrazem o\u00a0osudu vset\u00ednsk\u00fdch Rom\u016f, konkr\u00e9tn\u00edm fragmentu osudov\u00e9 cesty cel\u00e9ho etnika, kter\u00e1 vede ze stalet\u00ed do stalet\u00ed napl\u0148uj\u00edc velkou metaforu romsk\u00e9ho exodu. Nav\u0161t\u011bvuje p\u016fvodn\u00ed osady, v\u00a0nich\u017e se vset\u00edn\u0161t\u00ed Romov\u00e9 v\u011bt\u0161inou narodili a\u00a0n\u011bjak\u00fd \u010das \u017eili \u2013 Bystr<\/span>any a\u00a0Rud\u0148any. Zaznamen\u00e1v\u00e1 \u00fazkost\u00ed napln\u011bn\u00e1 a\u00a0st\u0159edov\u011bkou syrovost\u00ed prostoupen\u00e1 m\u00edsta zch\u00e1tral\u00fdch osad a\u00a0samostatn\u00fdch objekt\u016f, dokresluj\u00edc\u00ed tot\u00e1ln\u00ed neefektivnost dosavadn\u00edch snah st\u00e1tn\u00edch org\u00e1n\u016f, n\u00e1rodn\u00edch i\u00a0mezin\u00e1rodn\u00edch instituc\u00ed, tragikou poznamenan\u00fd stav \u017eivotn\u00edch podm\u00ednek Rom\u016f alespo\u0148 n\u011bjak zm\u011bnit. Opakovan\u011b se do t\u011bchto m\u00edst vrac\u00ed a\u00a0sb\u00edr\u00e1 dokumenty potvrzuj\u00edc\u00ed trvalou nep\u0159\u00edtomnost element\u00e1rn\u00edho vz\u00e1jemn\u00e9ho pochopen\u00ed a\u00a0porozum\u011bn\u00ed mezi Romy a\u00a0ostatn\u00edmi obyvateli slovensk\u00fdch, pozd\u011bji pak i\u00a0moravsk\u00fdch a\u00a0\u010desk\u00fdch \u00fazem\u00ed. Na cest\u011b ze Slovenska na Moravu a\u00a0k\u00a0sou\u010dasn\u00fdm m\u00edst\u016fm pobytu Rom\u016f ve Vset\u00edn\u011b stoj\u00ed i\u00a0dramatick\u00e1 ud\u00e1lost spojen\u00e1 s\u00a0osudem vset\u00ednsk\u00e9ho pavla\u010dov\u00e9ho domu, asanovan\u00e9ho p\u0159es protesty jeho romsk\u00fdch obyvatel, kte\u0159\u00ed byli p\u0159est\u011bhov\u00e1ni za obrovsk\u00e9ho celost\u00e1tn\u00edho medi\u00e1ln\u00edho humbuku do nov\u00fdch obytn\u00fdch kontejner\u016f na vset\u00ednsk\u00e9 Poschle. Autor \u00favodu Dalibor Malina.<\/span><\/p>\n <\/p>\n <\/p>\n <\/p>\n Robert Gol\u00e1\u0148<\/strong><\/a> se v\u011bnuje fotodokumentaci \u010desk\u00e9 spole\u010dnosti. Fotografuje od roku 1993, od roku 1999 publikuje v \u010dasopisech a jeho fotografie doprovodily \u0159adu v\u00fdtvarn\u00fdch katalog\u016f. Uspo\u0159\u00e1dal v\u00edce ne\u017e pades\u00e1t samostatn\u00fdch v\u00fdstav. Pro jeho tvorbu jsou charakteristick\u00e9 cykly \u010dasosb\u011brn\u00e9ho charakteru. V roce 2011 vydalo nakladatelstv\u00ed Dalibor Malina monografii, kter\u00e1 p\u0159edstavuje pr\u016f\u0159ez jeho tvorbou. V t\u00e9m\u017ee roce o n\u011bm \u010cesk\u00e1 televize nato\u010dila dokument. V roce 2013 vydalo nakladatelstv\u00ed Pavel Kotrla \u2013 Klenov knihu Romsk\u00e9 cesty. V roce 2014 doprovodil fotografiemi knihu Jana Davida Slov\u00ed\u010dko nakonec. V t\u00e9m\u017ee roce vych\u00e1z\u00ed kniha Sami na samot\u00e1ch, kdy jeho fotografie textem doprov\u00e1z\u00ed Dalibor Malina. \u017dije a pracuje ve Vset\u00edn\u011b.<\/p>\n <\/p>\n Ohlasy<\/strong><\/p>\n ISBN 978-80-905649-0-9 Ve\u00a0fotografick\u00e9 publikaci Romsk\u00e9 cesty vypr\u00e1v\u00ed fotograf Robert Gol\u00e1\u0148 obrazem o\u00a0osudu vset\u00ednsk\u00fdch Rom\u016f, konkr\u00e9tn\u00edm fragmentu osudov\u00e9 cesty cel\u00e9ho etnika, kter\u00e1 vede ze stalet\u00ed do stalet\u00ed napl\u0148uj\u00edc velkou metaforu romsk\u00e9ho exodu. Nav\u0161t\u011bvuje p\u016fvodn\u00ed osady, v\u00a0nich\u017e se vset\u00edn\u0161t\u00ed Romov\u00e9 v\u011bt\u0161inou narodili a\u00a0n\u011bjak\u00fd \u010das \u017eili \u2013 Bystrany a\u00a0Rud\u0148any. Zaznamen\u00e1v\u00e1 \u00fazkost\u00ed napln\u011bn\u00e1 a\u00a0st\u0159edov\u011bkou syrovost\u00ed prostoupen\u00e1 m\u00edsta zch\u00e1tral\u00fdch […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3997,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-4825","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P4mLP7-1fP","jetpack-related-posts":[{"id":3997,"url":"https:\/\/kotrla.com\/pmpro\/klenov\/","url_meta":{"origin":4825,"position":0},"title":"Nakladatelstv\u00ed Klenov","author":"Pavel Kotrla","date":"1.12.2018","format":false,"excerpt":"Klenov \u2013 jednomu\u017en\u00e9 nakladatelstv\u00ed Pavla Kotrly. 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V\u00fdb\u011br pro tuto publikaci doplnil\u2026","rel":"","context":"Podobn\u00fd p\u0159\u00edsp\u011bvek","block_context":{"text":"Podobn\u00fd p\u0159\u00edsp\u011bvek","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/05\/mm_70_vnitrek39-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/05\/mm_70_vnitrek39-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/05\/mm_70_vnitrek39-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/05\/mm_70_vnitrek39-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/05\/mm_70_vnitrek39-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/05\/mm_70_vnitrek39-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4152,"url":"https:\/\/kotrla.com\/pmpro\/klenov\/libor-sostak-parizsky-skicak\/","url_meta":{"origin":4825,"position":2},"title":"Libor So\u0161\u0165\u00e1k – Pa\u0159\u00ed\u017esk\u00fd skic\u00e1k (2019)","author":"Pavel Kotrla","date":"29.3.2019","format":false,"excerpt":"ISBN 978-80-905649-5-4 Pa\u0159\u00ed\u017esk\u00fd skic\u00e1k v\u00a0podob\u011b v\u00fdstavn\u00edho projektu m\u011bl svou premi\u00e9ru 13.\u00a03. 1988, v\u00edce jak p\u0159ed 30 lety, v\u00a0Mal\u00e9 galerii Okresn\u00ed knihovny ve\u00a0Vset\u00edn\u011b. Od\u00a0t\u00e9 doby byl fragment\u00e1rn\u011b vystavov\u00e1n v\u00a0r\u00e1mci n\u011bkolika autorov\u00fdch mal\u00ed\u0159sk\u00fdch v\u00fdstav. 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Instagram: @alzbeta.johanka Kate\u0159ina\u2026","rel":"","context":"Podobn\u00fd p\u0159\u00edsp\u011bvek","block_context":{"text":"Podobn\u00fd p\u0159\u00edsp\u011bvek","link":""},"img":{"alt_text":"Al\u017eb\u011bta Johanka Petrov\u00e1\u2002\/\u2002Kate\u0159ina S\u00fdsov\u00e1: Zastaveni (s. 28-29)","src":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2021\/02\/zastaveni_28_29.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2021\/02\/zastaveni_28_29.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2021\/02\/zastaveni_28_29.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2021\/02\/zastaveni_28_29.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2021\/02\/zastaveni_28_29.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2021\/02\/zastaveni_28_29.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4817,"url":"https:\/\/kotrla.com\/pmpro\/klenov\/pavel-kotrla-mirny-severni-2019\/","url_meta":{"origin":4825,"position":4},"title":"Pavel Kotrla: M\u00edrn\u00fd severn\u00ed (2019)","author":"Pavel Kotrla","date":"21.10.2019","format":false,"excerpt":"ISBN 978-80-905649-6-1 Druh\u00e1 b\u00e1snick\u00e1 sb\u00edrka Pavla Kotrly (5. kv\u011btna 1974). Autor vystudoval literaturu na Ostravsk\u00e9 univerzit\u011b. Od roku 1996 \u0161\u00e9fredaktor \u010dasopisu Texty, d\u0159\u00edve redaktor revue Aluze. V roce 2013 vydal b\u00e1snickou sb\u00edrku Prstem na sklo ryb\u00e1m. B\u00e1sn\u011bmi zastoupen v n\u011bkolika sborn\u00edc\u00edch (nap\u0159. Nejlep\u0161\u00ed \u010desk\u00e9 b\u00e1sn\u011b 2014). Autorsky, editorsky, fotografiemi nebo\u2026","rel":"","context":"Podobn\u00fd p\u0159\u00edsp\u011bvek","block_context":{"text":"Podobn\u00fd p\u0159\u00edsp\u011bvek","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2019\/11\/libor_sostak_na_ostrove-150x150.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2019\/11\/libor_sostak_na_ostrove-150x150.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2019\/11\/libor_sostak_na_ostrove-150x150.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2019\/11\/libor_sostak_na_ostrove-150x150.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2019\/11\/libor_sostak_na_ostrove-150x150.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2019\/11\/libor_sostak_na_ostrove-150x150.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":6738,"url":"https:\/\/kotrla.com\/pmpro\/klenov\/ondrej-hlozek-zlatenka-2020\/","url_meta":{"origin":4825,"position":5},"title":"Ond\u0159ej Hlo\u017eek: Zlat\u00e9nka (2020)","author":"Pavel Kotrla","date":"14.8.2020","format":false,"excerpt":"ISBN 978-80-905649-8-5 Ond\u0159ej Hlo\u017eek (* 1986) je b\u00e1sn\u00edk, liter\u00e1rn\u00ed kritik, po\u0159adatel kulturn\u00edch akc\u00ed. Poch\u00e1z\u00ed z Opavy, kde vystudoval \u010deskou literaturu na Slezsk\u00e9 univerzit\u011b. Vydal p\u011bt b\u00e1snick\u00fdch knih: T\u00ed\u017einy (2011), Dom\u016f (2013), Ulic\u00ed Dolorosa (2017), Te\u010f (2017), \u0158ez kamenem (2019). Jeho texty byly p\u0159elo\u017eeny a publikov\u00e1ny do n\u011bkolika evropsk\u00fdch jazyk\u016f. Je\u2026","rel":"","context":"Podobn\u00fd p\u0159\u00edsp\u011bvek","block_context":{"text":"Podobn\u00fd p\u0159\u00edsp\u011bvek","link":""},"img":{"alt_text":"Ond\u0159ej Hlo\u017eek: Zlat\u00e9nka","src":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/08\/obalka_hlozek_zlatenka_obalka.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/08\/obalka_hlozek_zlatenka_obalka.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/08\/obalka_hlozek_zlatenka_obalka.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/08\/obalka_hlozek_zlatenka_obalka.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2020\/08\/obalka_hlozek_zlatenka_obalka.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/pages\/4825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/comments?post=4825"}],"version-history":[{"count":0,"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/pages\/4825\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/pages\/3997"}],"wp:attachment":[{"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/media?parent=4825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<\/a><\/a>\n\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t\t\t\n