{"id":1280,"date":"2003-07-24T19:45:27","date_gmt":"2003-07-24T18:45:27","guid":{"rendered":"http:\/\/kotrla.com\/wordpress\/?p=1280"},"modified":"2019-11-20T22:24:46","modified_gmt":"2019-11-20T21:24:46","slug":"poezie-nejen-pro-vsedni-den","status":"publish","type":"post","link":"https:\/\/kotrla.com\/pmpro\/2003\/07\/poezie-nejen-pro-vsedni-den\/","title":{"rendered":"Poezie (nejen) pro v\u0161edn\u00ed den"},"content":{"rendered":"<p>Bloger\u016f p\u0159ib\u00fdv\u00e1. Jako hub po de\u0161ti. \u0158ady roz\u0161\u00ed\u0159il i Michala Jare\u0161e sv\u00fdmi str\u00e1nkami <a href=\"https:\/\/web.archive.org\/web\/20070621145205\/http:\/\/poeticno.kotrla.com\/weblog.php\">Poezie (nejen) pro v\u0161edn\u00ed den<\/a>, se kter\u00fdmi jsem mu trochu pomohl a kter\u00e9 by m\u011bly b\u00fdt v\u011bnov\u00e1ny poezii. Proto\u017ee mo\u017en\u00e1 netu\u0161\u00edte, kdo Michal Jare\u0161 je, tak si zde dovol\u00edm zve\u0159ejnit m\u00edrn\u011b upraven\u00e9 informace, kter\u00e9 u\u017e jsou na str\u00e1nk\u00e1ch <a href=\"http:\/\/www.aluze.cz\">Aluze<\/a>, nebo kter\u00e9 se zde brzy objev\u00ed.<\/p>\n<p>\n<strong>Michal Jare\u0161<\/strong><br \/>\nNarodil se 1973 v Liberci. Vyu\u010dil se mechanikem stroj\u016f a za\u0159\u00edzen\u00ed v Jablonci nad Nisou, pozd\u011bji vystudoval teorii a d\u011bjiny dramatick\u00fdch um\u011bn\u00ed na FF UP v Olomouci. Od roku 1999 pracuje v \u00dastavu pro \u010deskou literaturu AV \u010cR v odd\u011blen\u00ed sou\u010dasn\u00e9 literatury. P\u016fsob\u00ed jako redaktor v <i>Aluzi<\/i> a <i>Tvaru<\/i>.<br \/> Vlastn\u00edm n\u00e1kladem pro okruh nejbli\u017e\u0161\u00edch p\u0159\u00e1tel vydal sb\u00edrku b\u00e1sn\u00ed <i>Tanec v za\u010d\u00ednaj\u00edc\u00edm l\u00e9t\u011b<\/i> (1994), b\u00e1snickou skladbu <i>Definitivn\u00ed d\u011btstv\u00ed <\/i>(1995; pozd\u011bji sou\u010d\u00e1st\u00ed sb\u00edrky <i>Plameny vody<\/i>), abstraktn\u00ed antidetektivku <i>Poloden, \u010dili Antal Peti\u0161ka<\/i> (1995; pozd\u011bji vy\u0161lo jako p\u0159\u00edloha \u010dasopisu<i> Tvar<\/i> 6\/2000), b\u00e1snickou sb\u00edrku<i> Plameny vody<\/i> (1996) a<i> Prospal jsi hedv\u00e1b\u00ed<\/i> (1998; pozd\u011bji jako p\u0159\u00edloha <i>Tvaru<\/i> 8\/1999), pov\u00eddky <i>Pocit d\u016fle\u017eitosti<\/i> (1999, <i>Tvar<\/i> 12\/1999) a <i>Pov\u00eddka po\u0161\u0165\u00e1ck\u00e1<\/i> (1999, <i>Tvar <\/i>18\/1999 a jako novoro\u010denky soubory b\u00e1sn\u00ed <i>Zrosyvst\u00e1n\u00ed <\/i>(1999) a<i> V\u00fdt\u011b\u017eek<\/i> (2000).<\/p>\n<p>V <i>Aluzi<\/i> 2\/1999 mu vy\u0161el cyklus b\u00e1sn\u00ed <i>Pic\u00ed miska<\/i> a v <i>Aluzi<\/i> 3\/2000 skladba N\u00e1lada postdu\u0161i\u010dkov\u00e1 (p\u016fvodn\u011b zam\u00fd\u0161leno jako novoro\u010dn\u00ed nebo p\u0159\u00edle\u017eitostn\u00e9 tisky). Aluze vydala tak\u00e9 b\u00e1snickou sb\u00edrku <em>Brzo je k l\u00e1sce Pozd\u011b k \u0159e\u010dem<\/em> (2001). <\/p>\n<p>Zat\u00edm v rukopise z\u016fst\u00e1v\u00e1 b\u00e1snick\u00e1 sb\u00edrka s pracovn\u00edm n\u00e1zvem <i>Rozhovory<\/i>, nedokon\u010den\u00fd &quot;rusk\u00fd&quot; rom\u00e1n, n\u011bkolik dal\u0161\u00edch rom\u00e1n\u016f, divadeln\u00edch her a &quot;fabliaux&quot; <i>Voda mladosti <\/i>z roku 1999.<\/p>\n<p>Vedle vlastn\u00ed tvorby &quot;vyd\u00e1v\u00e1&quot; jako soukrom\u00e9 tisky drobn\u00e9 nebo por\u016fznu roztrou\u0161en\u00e9 b\u00e1sn\u011b r\u016fzn\u00fdch autor\u016f ve vlastn\u00ed edici OLP \/Oh, Lucky Pebbles\/, v\u011bt\u0161inou v po\u010dtu 7-10 kus\u016f (nap\u0159. A. Bartu\u0161ek, J. Daniel, V. Kripner).<\/p>\n<p>Mimoto edi\u010dn\u011b p\u0159ipravil epickou skladbu zapomenut\u00e9ho anarchisty Kamila Berdycha<i> Dcera Jairova<\/i> (p\u0159\u00edloha Tvaru 4\/2000) a spole\u010dn\u011b s Pavlem Jan\u00e1\u010dkem p\u0159ipravuje k vyd\u00e1n\u00ed komentovan\u00fd soupis se\u0161itov\u00fdch rom\u00e1nov\u00fdch edic ze t\u0159ic\u00e1t\u00fdch a \u010dty\u0159ic\u00e1t\u00fdch let minul\u00e9ho stolet\u00ed nazvan\u00fd<i> Sv\u011bt rodokapsu<\/i>.<\/p>\n<p><!--more--><\/p>\n<p>Zde je doslov k b\u00e1snick\u00e9 sb\u00edrce <b><em>Brzo je k l\u00e1sce Pozd\u011b k \u0159e\u010dem<\/em><\/b><br \/>\nz pera <b>Ji\u0159\u00edho Chocholou\u0161ka<\/b><\/p>\n<p><i><strong>B\u00e1sn\u011b Michala Jare\u0161e<\/strong><br \/>\n<strong>B\u00e1sn\u011b Michala Jare\u0161e<\/strong> jsou velmi p\u0159irozen\u00e9. Nesna\u017e\u00ed se vyr\u00e1\u017eet \u010dten\u00e1\u0159i dech vypjatou expres\u00ed, ok\u00e1zal\u00fdm gestem, monument\u00e1ln\u00edmi obrazy ani patosem my\u0161lenky. Nejsou mladistv\u011b uzoufan\u00e9, b\u00e1sn\u00edk si i tam, kde mu takov\u00e9 nebezpe\u010d\u00ed hroz\u00ed, st\u00e1le udr\u017euje schopnost nadhledu a sebeironie.<\/p>\n<p> S t\u00edm souvis\u00ed &#8222;z\u00e1vazek formy&#8220;. Nejen, \u017ee na pozad\u00ed pevn\u011b dodr\u017eovan\u00e9 formy st\u0159\u00eddav\u011b r\u00fdmovan\u00fdch osmiver\u0161\u00ed a abecedy v incipitech vynikne p\u0159irozenost vyj\u00e1d\u0159en\u00ed (je jist\u011b n\u00e1ro\u010dn\u011bj\u0161\u00ed b\u00fdt p\u0159irozen\u00fd p\u0159es obt\u00ed\u017ee formy); mysl\u00edm si dokonce, \u017ee forma se na t\u00e9to p\u0159irozenosti p\u0159\u00edmo pod\u00edl\u00ed. Zvl\u00e1dnut\u00e1 forma znamen\u00e1 nadhled: p\u0159est\u00e1v\u00e1 b\u00fdt omezen\u00edm a st\u00e1v\u00e1 se naopak prost\u0159edkem, mo\u017enost\u00ed, slou\u017e\u00ed b\u00e1sni. R\u00fdm pak nap\u0159\u00edklad m\u016f\u017ee \u00fapln\u011b jednodu\u0161e a elegantn\u011b \u0159\u00edci to, na co by samotn\u00e1 slova nesta\u010dila.<br \/>\n&#8222;Z\u00e1vazek&#8220; sb\u00edrky <em>Brzo je k l\u00e1sce Pozd\u011b k \u0159e\u010dem<\/em> je ov\u0161em vz\u00e1cn\u011b vyv\u00e1\u017een\u00fd. <strong>Forma b\u00e1sn\u011b<\/strong> &#8211; dv\u011b \u010dty\u0159ver\u0161ov\u00e9 r\u00fdmovan\u00e9 strofy, kter\u00e9 jsou tak nen\u00e1padn\u00e9, \u017ee bychom je skoro p\u0159e\u0161li bez pov\u0161imnut\u00ed &#8211; nen\u00ed artistn\u00ed, netla\u010d\u00ed se do pop\u0159ed\u00ed, zd\u00e1 se b\u00fdt samoz\u0159ejm\u00e1. Koncentruje b\u00e1se\u0148, ale nenut\u00ed ji k \u017e\u00e1dn\u00fdm krkolomn\u00fdm kousk\u016fm. Pod\u0159izuje se v\u00fdpov\u011bdi, nelp\u00ed d\u016fsledn\u011b na dodr\u017eov\u00e1n\u00ed pravideln\u00e9ho rytmu, tak\u017ee m\u00edsty se t\u0159eba sp\u00e1d zrychl\u00ed a b\u00e1se\u0148 se bl\u00ed\u017e\u00ed voln\u00e9mu ver\u0161i, ale jindy je zas uk\u00e1zn\u011bn\u00e1 a jednodu\u0161e pravideln\u00e1, bez p\u0159esah\u016f. Je to forma dostate\u010dn\u011b pru\u017en\u00e1 a pestr\u00e1, aby j\u00ed nehrozilo nebezpe\u010d\u00ed monot\u00f3nnosti. Z\u0159ejm\u00e1 je inspirace v\u00fdchodn\u00ed poezi\u00ed, jej\u00edmi sev\u0159en\u00fdmi formami i dovednost\u00ed obs\u00e1hnout maximum na mal\u00e9m prostoru. P\u0159edchoz\u00ed sb\u00edrka Michala Jare\u0161e <em>Prospal jsi hedv\u00e1b\u00ed<\/em>, kter\u00e1 vy\u0161la jako p\u0159\u00edloha <em>Tvaru<\/em> p\u0159ed dv\u011bma lety, je dokonce p\u0159\u00edmo pokusem o \u010desk\u00e9 variace v\u00fdchodn\u00ed formy sid\u017eo. (Zdroj\u016f inspirace by samoz\u0159ejm\u011b bylo v\u00edc, ale t\u00edm a\u0165 se zab\u00fdvaj\u00ed jin\u00ed.) A pak je tu forma sb\u00edrky, abecedn\u00ed cyklus, kter\u00fd jednotliv\u00e9 b\u00e1sn\u011b pout\u00e1 prvn\u00edmi ver\u0161i k jednomu st\u0159edu, omezuje rozsah sb\u00edrky, ale z\u00e1rove\u0148 umo\u017e\u0148uje nadhled a vn\u00e1\u0161\u00ed do b\u00e1sn\u00ed spodn\u00ed t\u00f3n hravosti &#8211; v\u017edy\u0165 jsou tu st\u00e1le je\u0161t\u011b c\u00edtit ozvuky poetismu.<br \/>\nA co se mi je\u0161t\u011b na b\u00e1sn\u00edch Michala Jare\u0161e zd\u00e1 pozoruhodn\u00e9, je to, jak jsou jemn\u00e9. Snad je to dokonce to hlavn\u00ed, ale asi sp\u00ed\u0161 nen\u00ed mo\u017en\u00e9 od sebe kvality, jako jsou jemnost a p\u0159irozenost, odd\u011blovat. Zase by se dalo uva\u017eovat o r\u00fdmu, v\u00fdb\u011bru slov a eufonii, o point\u011b b\u00e1sn\u011b, ale jak p\u0159irozenost, tak jemnost spo\u010d\u00edvaj\u00ed nakonec nejsp\u00ed\u0161 v n\u011b\u010dem jin\u00e9m, co se na techniku a \u0159emeslo tak jednodu\u0161e p\u0159ev\u00e9st ned\u00e1. Velik\u00e1 jemnost a citlivost jsou ov\u0161em i nutnou podm\u00ednkou pro to, aby se b\u00e1sn\u00edk mohl pokou\u0161et ps\u00e1t oklikami a z\u00e1mlkami o tom, co se sice zd\u00e1 b\u00fdt d\u016fv\u011brn\u011b bl\u00edzk\u00e9, ale o \u010dem p\u0159\u00edmo ps\u00e1t nelze &#8211; proto\u017ee pro to nejsou slova, proto\u017ee je to v\u017edycky n\u011bkde mali\u010dko jinde, n\u011bkde <strong>mezi<\/strong>. Zd\u00e1 se, \u017ee kdy\u017e si to n\u011bjak pojmenujeme, kdy\u017e u\u017e m\u00e1me pocit, \u017ee to tro\u0161ku zn\u00e1me, \u017ee to dr\u017e\u00edme za suchou patu, v\u017edycky se to n\u011bkam ztrat\u00ed. A neodpust\u00edm si tu po\u0165ouchlost, mo\u017en\u00e1 se to ti\u0161e chichot\u00e1. T\u00e9 zaslepenosti, expresi a gestu, monument\u00e1ln\u00edmu obrazu nebo hlubokomysln\u00e9 v\u011bt\u011b, kter\u00e1 je zase vedle. Tady n\u011bkde le\u017e\u00ed ironick\u00fd v\u00fdznam abecedy.P\u0159eci nab\u00edz\u00ed se v\u011bta: &#8222;Nedojde k ROZD\u011a- \/ LEN\u00cd vy\u0159\u010den\u00e9ho sv\u011bta!&#8220; <\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bloger\u016f p\u0159ib\u00fdv\u00e1. Jako hub po de\u0161ti. \u0158ady roz\u0161\u00ed\u0159il i Michala Jare\u0161e sv\u00fdmi str\u00e1nkami Poezie (nejen) pro v\u0161edn\u00ed den, se kter\u00fdmi jsem mu trochu pomohl a kter\u00e9 by m\u011bly b\u00fdt v\u011bnov\u00e1ny poezii. Proto\u017ee mo\u017en\u00e1 netu\u0161\u00edte, kdo Michal Jare\u0161 je, tak si zde dovol\u00edm zve\u0159ejnit m\u00edrn\u011b upraven\u00e9 informace, kter\u00e9 u\u017e jsou na str\u00e1nk\u00e1ch Aluze, nebo kter\u00e9 se [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1280","post","type-post","status-publish","format-standard","hentry","category-nezarazene"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4mLP7-kE","jetpack-related-posts":[{"id":712,"url":"https:\/\/kotrla.com\/pmpro\/2005\/07\/novy-virtualni-souboj-jares-vs-svec\/","url_meta":{"origin":1280,"position":0},"title":"Nov\u00fd virtu\u00e1ln\u00ed souboj: Jare\u0161 vs. \u0160vec","author":"Pavel Kotrla","date":"28.7.2005","format":false,"excerpt":"Poezie (nejen) pro v\u0161edn\u00ed den Michala Jare\u0161e z\u00edskala konkurenta v podob\u011b nov\u00e9 rubriky B\u00e1se\u0148 pro tento den na Britsk\u00fdch listech, kterou vede \u0160tefan \u0160vec. Michal sv\u016fj blog vede ji\u017e od \u010dervence 2003, na \u0160tefanovu v\u00fddr\u017e jsem s\u00e1m zv\u011bdav. ;) Ostatn\u011b se u\u017e u\u017e zd\u00e1lo, \u017ee i m\u00e9 pond\u011bln\u00ed h\u00e1danky najdou\u2026","rel":"","context":"V \u201eLiteratura\u201c","block_context":{"text":"Literatura","link":"https:\/\/kotrla.com\/pmpro\/category\/literatura\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":840,"url":"https:\/\/kotrla.com\/pmpro\/2005\/01\/ovce-ve-walesu\/","url_meta":{"origin":1280,"position":1},"title":"Ovce ve Walesu","author":"Pavel Kotrla","date":"14.1.2005","format":false,"excerpt":"Michal Jare\u0161 vysly\u0161el m\u00e9 v\u010derej\u0161\u00ed \u00fap\u011bnliv\u00e9 prosby a na sv\u00e9m blogu \u00a0 Poezie (nejen) pro v\u0161edn\u00ed den za\u010dal zve\u0159ej\u0148ovat z\u00e1pisky ze sv\u00e9ho studijn\u00edho pobytu. A\u0165 \u017eije Zl\u00e1 ovce!","rel":"","context":"V \u201eNeza\u0159azen\u00e9\u201c","block_context":{"text":"Neza\u0159azen\u00e9","link":"https:\/\/kotrla.com\/pmpro\/category\/nezarazene\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":103,"url":"https:\/\/kotrla.com\/pmpro\/2012\/05\/rusky-design-zachrani-svet\/","url_meta":{"origin":1280,"position":2},"title":"(Rusk\u00fd) design zachr\u00e1n\u00ed sv\u011bt!","author":"Pavel Kotrla","date":"13.5.2012","format":false,"excerpt":"ps\u00e1no pro Host 9\/2011 (P\u016fvodn\u00ed titulek byl sice jin\u00fd (Co je ukryto za textem), ale ponech\u00e1v\u00e1m ten, kter\u00fd vze\u0161el z redak\u010dn\u00ed \u00fapravy) B\u011bhem putov\u00e1n\u00ed po rusk\u00e9m internetu \u2014 zvl\u00e1\u0161t\u011b v jeho po\u010d\u00e1tc\u00edch \u2014 tak\u0159ka ne\u0161lo (v liter\u00e1rn\u00ed \u010d\u00e1sti) minout str\u00e1nky Borise Akunina. Za t\u00edmto pseudonymem se skr\u00fdv\u00e1 Grigorij \u0160alvovi\u010d \u010ccharti\u0161vili,\u2026","rel":"","context":"V \u201eSloupky pro Host\u201c","block_context":{"text":"Sloupky pro Host","link":"https:\/\/kotrla.com\/pmpro\/category\/sloupky-pro-host\/"},"img":{"alt_text":"image","src":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/images\/uploads\/editorium_ru.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":899,"url":"https:\/\/kotrla.com\/pmpro\/2004\/10\/html-editory-nejen-pro-tento-den\/","url_meta":{"origin":1280,"position":3},"title":"HTML editory nejen pro tento den","author":"Pavel Kotrla","date":"18.10.2004","format":false,"excerpt":"Tak jsem si p\u0159e\u010detl n\u011bkolik posledn\u00edch \u010dl\u00e1nk\u016f o HTML editorech na Intervalu, nebo\u0165 jsem si myslel, \u017ee naraz\u00edm na n\u011bco nov\u00e9ho. Kdepak, sam\u00ed sta\u0159\u00ed zn\u00e1m\u00ed. Hled\u00e1n\u00ed ide\u00e1ln\u00edho editoru je nekon\u010d\u00edc\u00ed cestou. Na sv\u00e9 obl\u00edbence zpravidla ned\u00e1me opustit a obhajujeme je. Zpravidla na psan\u00ed pou\u017e\u00edv\u00e1m PSPad a Notepad2. Oba tyto editory\u2026","rel":"","context":"V \u201eNeza\u0159azen\u00e9\u201c","block_context":{"text":"Neza\u0159azen\u00e9","link":"https:\/\/kotrla.com\/pmpro\/category\/nezarazene\/"},"img":{"alt_text":"TSW Webcoder 5","src":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/images\/uploads\/tsw_s.gif?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1232,"url":"https:\/\/kotrla.com\/pmpro\/2003\/09\/a-je-tu-novy-tvar\/","url_meta":{"origin":1280,"position":4},"title":"A je tu nov\u00fd Tvar","author":"Pavel Kotrla","date":"9.9.2003","format":false,"excerpt":"Doba pr\u00e1zdninov\u00e9ho p\u016fstu skon\u010dila a nov\u00e9 \u010d\u00edslo Tvaru (str\u00e1nky by to cht\u011blo tro\u0161ku zaktualizovat) le\u017eelo v\u010dera ve schr\u00e1nce. Rozhodn\u011b doporu\u010duji rozhovor v \u017eij\u00edc\u00ed legendou Egonem Bondym.\u00a0 Milan Charoust ve sv\u00e9m dopise zaslan\u00e9m redakci reaguje na Tvarem ned\u00e1vno zve\u0159ejn\u011bnou b\u00e1se\u0148 Ji\u0159\u00edho Kub\u011bny. A reakce je to opravdu r\u00e1zn\u00e1, skoro a\u017e dehonestuj\u00edc\u00ed.\u2026","rel":"","context":"V \u201eNeza\u0159azen\u00e9\u201c","block_context":{"text":"Neza\u0159azen\u00e9","link":"https:\/\/kotrla.com\/pmpro\/category\/nezarazene\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2496,"url":"https:\/\/kotrla.com\/pmpro\/2015\/08\/dekujeme-za-vase-basne-2015\/","url_meta":{"origin":1280,"position":5},"title":"D\u011bkujeme za Va\u0161e b\u00e1sn\u011b! 2015","author":"Pavel Kotrla","date":"25.8.2015","format":false,"excerpt":"Str\u00e1nka akce, kter\u00e9 se tak\u00e9 z\u00fa\u010dastn\u00edm, na Facebooku: https:\/\/www.facebook.com\/dekujeme.za.vase.basne Tiskov\u00e1 zpr\u00e1va: Kratochv\u00edle p\u0159iv\u00edt\u00e1 p\u00e1t\u00fd ro\u010dn\u00edk setk\u00e1n\u00ed b\u00e1sn\u00edk\u016f D\u011bkujeme za Va\u0161e B\u00e1sn\u011b! Tak se jmenuje akce, kterou letos u\u017e pop\u00e1t\u00e9 p\u0159ipravili v Netolic\u00edch b\u00e1sn\u00edci Vojt\u011bch Ku\u010dera a Radek \u0160t\u011bp\u00e1nek a kter\u00e1 se uskute\u010dn\u00ed od 10. do 13. z\u00e1\u0159\u00ed. Je to mezin\u00e1rodn\u00ed\u2026","rel":"","context":"V \u201eLiteratura\u201c","block_context":{"text":"Literatura","link":"https:\/\/kotrla.com\/pmpro\/category\/literatura\/"},"img":{"alt_text":"D\u011bkujeme za Va\u0161e b\u00e1sn\u011b! 2015","src":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2015\/08\/dekujeme_za_vase_basne_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2015\/08\/dekujeme_za_vase_basne_2015.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2015\/08\/dekujeme_za_vase_basne_2015.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2015\/08\/dekujeme_za_vase_basne_2015.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2015\/08\/dekujeme_za_vase_basne_2015.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/kotrla.com\/pmpro\/wp-content\/uploads\/2015\/08\/dekujeme_za_vase_basne_2015.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/posts\/1280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/comments?post=1280"}],"version-history":[{"count":0,"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/posts\/1280\/revisions"}],"wp:attachment":[{"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/media?parent=1280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/categories?post=1280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kotrla.com\/pmpro\/wp-json\/wp\/v2\/tags?post=1280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}