{"id":72,"date":"2012-11-13T22:29:49","date_gmt":"2012-11-13T21:29:49","guid":{"rendered":"http:\/\/kotrla.com\/wordpress\/?p=72"},"modified":"2019-11-20T22:44:27","modified_gmt":"2019-11-20T21:44:27","slug":"dve-knihy-o-kulture-obrazu","status":"publish","type":"post","link":"https:\/\/kotrla.com\/pmpro\/2012\/11\/dve-knihy-o-kulture-obrazu\/","title":{"rendered":"Dv\u011b knihy o kultu\u0159e obrazu"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kotrla.com\/pmpro\/images\/uploads\/andel-mysleni-o-fotografii.jpg\" border=\"0\" alt=\"Jaroslav And\u011bla - My\u0161len\u00ed o fotografii I. (Pr\u016fvodce modernitou v antologii text\u016f) \" width=\"150\" height=\"220\" align=\"right\" \/>Posledn\u00ed dny tr\u00e1v\u00edm nad knihou Jaroslava And\u011bla &#8211; My\u0161len\u00ed o fotografii I. (Pr\u016fvodce modernitou v antologii text\u016f) (<a href=\"https:\/\/www.namu.cz\/\">NAMU<\/a> 2012).  Kdybych n\u00e1hodou ned\u00e1vno nesledoval v televizi liter\u00e1rn\u00ed po\u0159ad 333, tak by mi mo\u017en\u00e1 tato komentovan\u00e1 antologie text\u016f z d\u011bjin my\u0161len\u00ed o fotografii unikla. Jsem r\u00e1d, \u017ee se tak nestalo, nebo\u0165 pro mne osobn\u011b se jedn\u00e1 o jednu ze dvou knih v\u011bnovan\u00fdch vizu\u00e1ln\u00ed kultu\u0159e, kter\u00e9 mne v posledn\u00ed dob\u011b v\u00edc ne\u017e p\u0159\u00edjemn\u011b p\u0159ekvapily. Tou druhou zmi\u0148ovanou je \u00davod do vizu\u00e1ln\u00ed kultury Nicholase Mirzoeffa (<a href=\"http:\/\/www.academia.cz\/\">Academia<\/a> 2012). Ten se sv\u011btu fotografie v\u011bnuje podstatnou tak\u00e9, ale jen z\u010d\u00e1sti.<br \/>\nPosun od kultury slova ke kultu\u0159e obrazu je pom\u011brn\u011b z\u0159etelnou a st\u00e1le s\u00edl\u00edc\u00ed tendenc\u00ed a na nedostatek vizuality si rozhodn\u011b st\u011b\u017eovat nem\u016f\u017eeme. Sp\u00ed\u0161e jsme obrazy a barvami zahlceni. A mysl\u00edm, \u017ee toto zahlcen\u00ed bude je\u0161t\u011b s\u00edlit. A pokud se chceme ve vid\u011bn\u00e9m i orientovat, pak pr\u00e1v\u011b tyto dv\u011b knihy by tomu mohly napomoci, by\u0165 ka\u017ed\u00e1 dokumentuje n\u011bco trochu odli\u0161n\u00e9ho.<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kotrla.com\/pmpro\/images\/uploads\/mirzhoeff-uvod-do-vizualni-kultury.jpg\" border=\"0\" alt=\"Nicholas Mirzoeff - \u00davod do vizu\u00e1ln\u00ed kultury\" width=\"150\" height=\"212\" align=\"right\" \/>Mirzoeff nab\u00edz\u00ed opravdu komplexn\u00ed pohled na d\u011bjiny vizuality v\u010detn\u011b historick\u00fdch souvislost\u00ed. Vzhledem k rozsahu publikace a jej\u00edmu n\u00e1zvu j\u00ed nelze vy\u010d\u00edtat, \u017ee je \u00favodem. Prost\u011b velmi slu\u0161n\u00fd \u00favod do vizu\u00e1ln\u00edch studi\u00ed a vizu\u00e1ln\u00ed kultury, kter\u00fd je v sedmi d\u00e1le \u010dlen\u011bn\u00fdch kapitol\u00e1ch doveden a\u017e do sou\u010dasnosti. Univerz\u00e1ln\u00ed publikace nejen pro studenty um\u011bn\u00ed, medi\u00e1ln\u00edch komunikac\u00ed a p\u0159\u00edbuzn\u00fdch obor\u016f, ale sv\u00e9 zde najdou i pracovn\u00edci z  oblasti marketingu a reklamy. By\u0165 n\u011bkter\u00e1 sd\u011blen\u00ed bych vn\u00edmal s rezervou \u010di nads\u00e1zkou, t\u0159eba onu dataci v n\u00e1zvu kapitoly V\u011bk fotografie (1839&#8211;1982).<br \/>\nZam\u011b\u0159en\u00ed And\u011blovy antologie je u\u017e\u0161\u00ed a koncentrovan\u011bj\u0161\u00ed, a to pr\u00e1v\u011b na pr\u016f\u0159ez d\u011bjinami my\u0161len\u00ed o fotografii. I ona nab\u00edz\u00ed jak historick\u00fd kontext, tak p\u0159esahy. Tak\u017ee se zde nejprve vrac\u00edme k po\u010d\u00e1tk\u016fm snah o p\u0159esn\u00e9 zachycen\u00ed reality, k po\u010d\u00e1tk\u016fm perspektivy, okouzlen\u00ed camerou obscurou. Posl\u00e9ze ke konfrontaci s mal\u00ed\u0159stv\u00edm atd. <br \/>\nNavz\u00e1jem se mi p\u0159i \u010dten\u00ed tyto dv\u011b knihy v\u00fdborn\u011b dopl\u0148ovaly. Pro mne je v tuto chv\u00edli p\u0159\u00ednosn\u011bj\u0161\u00ed And\u011blova antologie, proto\u017ee zapl\u0148uje pr\u00e1zdn\u00fd prostor, kter\u00fd zde v posledn\u00edch letech byl. Ale je tak\u00e9 mo\u017en\u00e9, \u017ee  mi prost\u011b jen publikace podobn\u00e9ho typu unikla. P\u0159esto, vizu\u00e1ln\u00ed kultu\u0159e obecn\u011b je v\u011bnov\u00e1no v\u00edce publikac\u00ed, z posledn\u00ed doby je do t\u0159eba o n\u011bco rozs\u00e1hlej\u0161\u00ed kniha Studia vizu\u00e1ln\u00ed kultury (Marita Sturken, Lisa Cartwright; Pr\u00e1h 2010 &#8211; ale Mirzoeffov\u011b bych zde dal asi p\u0159ednost) nebo pr\u00e1v\u011b edice <a href=\"http:\/\/www.academia.cz\/edice\/vizualni-studia.html\">Vizu\u00e1ln\u00ed studia<\/a> nakl. Academia.<br \/>\nNicm\u00e9n\u011b And\u011blova kniha se mi l\u00edb\u00ed natolik, \u017ee zva\u017euji ji asi uvedu i v tradi\u010dn\u00ed anket\u011b Lidov\u00fdch novin. Tak\u017ee te\u010f se u\u017e jen m\u016f\u017eu t\u011b\u0161it na druh\u00fd d\u00edl, proto\u017ee tento se uzav\u00edr\u00e1 surrealismem.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Posledn\u00ed dny tr\u00e1v\u00edm nad knihou Jaroslava And\u011bla &#8211; My\u0161len\u00ed o fotografii I. (Pr\u016fvodce modernitou v antologii text\u016f) (NAMU 2012). Kdybych n\u00e1hodou ned\u00e1vno nesledoval v televizi liter\u00e1rn\u00ed po\u0159ad 333, tak by mi mo\u017en\u00e1 tato komentovan\u00e1 antologie text\u016f z d\u011bjin my\u0161len\u00ed o fotografii unikla. Jsem r\u00e1d, \u017ee se tak nestalo, nebo\u0165 pro mne osobn\u011b se jedn\u00e1 o [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,7,2],"tags":[],"class_list":["post-72","post","type-post","status-publish","format-standard","hentry","category-ctenarsky-denik","category-fotografie","category-literatura"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4mLP7-1a","jetpack-related-posts":[{"id":820,"url":"https:\/\/kotrla.com\/pmpro\/2005\/02\/casopisecka-hlidka-v-unoru\/","url_meta":{"origin":72,"position":0},"title":"\u010casopiseck\u00e1 hl\u00eddka v \u00fanoru","author":"Pavel Kotrla","date":"10.2.2005","format":false,"excerpt":"U\u017e tu dlouho nebyla. Na \u010dasopisy jsem ale nezanev\u0159el. S pravidelnou ro\u010dn\u00ed periodou k n\u00e1m p\u0159ibyl nov\u00fd Labyrint (v\u0161iml si i AKb@large). Tentokr\u00e1t je v\u011bnov\u00e1n utopi\u00edm. Celkem jsem si po\u010detl, ale nejv\u00edc se mi stejn\u011b l\u00edbily p\u0159eti\u0161t\u011bn\u00e9 p\u016fvodn\u00ed ilustrace k Nezn\u00e1lkovi. Fotografie st\u00e1rnouc\u00edm dvoj\u010dat na ob\u00e1lce, mne akor\u00e1t znerv\u00f3z\u0148ovala. A\u2026","rel":"","context":"V \u201eNeza\u0159azen\u00e9\u201c","block_context":{"text":"Neza\u0159azen\u00e9","link":"https:\/\/kotrla.com\/pmpro\/category\/nezarazene\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1372,"url":"https:\/\/kotrla.com\/pmpro\/2003\/04\/dobra-adresa-042003-a-tvar-72003\/","url_meta":{"origin":72,"position":1},"title":"Dobr\u00e1 adresa 04\/2003 a Tvar 7\/2003","author":"Pavel Kotrla","date":"8.4.2003","format":false,"excerpt":"Cel\u00fd nat\u011b\u0161en\u00fd jsem za\u010dal \u010d\u00edst posledn\u00ed \u010d\u00edsla t\u011bchto liter\u00e1rn\u00edch \u010dasopis\u016f.\u00a0 Dobr\u00e1 adresa mne ale p\u0159\u00edli\u0161 nep\u0159esv\u011bd\u010dila. Nest\u00e1v\u00e1 se to u tohoto \u010dasopisu \u010dasto, ale dubnov\u00e9 \u010d\u00edslo je takov\u00e9 n\u011bjak\u00e9 plan\u00e9. \u017de by ub\u00fdvalo sil? T\u011b\u017eko odhadnout. Vy\u0161lo pozd\u011bji ne\u017e je obvykl\u00e9. 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