Ta kn\u00ed\u017eka – Alexandr Tvardovskij: Lyrick\u00e9 sloky (Lidov\u00e9 nakladatelstv\u00ed, 1990)<\/i> -, ze kter\u00e9 je n\u00e1sleduj\u00edc\u00ed uk\u00e1zka, le\u017eela ve vset\u00ednsk\u00e9m antikvari\u00e1tu rok. Po v\u0161echny m\u00e9 pravideln\u00e9 n\u00e1v\u0161t\u011bvy. Hodn\u011b b\u00e1sn\u00ed je u\u017e jen dokumentem doby, ale n\u011bkter\u00e9 stoj\u00ed za pozastaven\u00ed. By\u0165 je tento b\u00e1sn\u00edk (1910 – 1971) vn\u00edm\u00e1n p\u0159edev\u0161\u00edm jako p\u0159edstavitel ofici\u00e1ln\u00ed sov\u011btsk\u00e9 literatury, nelze zapom\u00ednat na jeho st\u00e1lou kriti\u010dnost k re\u017eimu (v um\u00edrn\u011bn\u00fdch r\u00e1mc\u00edch mo\u017enost\u00ed), ani na to, \u017ee otiskl prvn\u00ed pr\u00f3zu Alexandra Sol\u017eenicyna.<\/p>\n
* * *<\/b><\/p>\n
Den skon\u010dil, ale pln\u00ed nepokoje
\nlid\u00e9 \u0161li sp\u00e1t a v sp\u00e1nku poznovu
\nd\u00fdchali v\u016fni roz\u0161lapan\u00e9 chvoje,
\ntu v\u016fni sv\u00e1tk\u016f, v\u016fni h\u0159bitov\u016f.<\/p>\n
B\u0159eznov\u00e1 p\u016flnoc vystupuje z \u0161era.
\nKdo to tam – za lini\u00ed obzoru –
\np\u0159eb\u00edr\u00e1 st\u00e1tn\u00ed slu\u017ebu v pozoru:
\noby\u010dejn\u00fd den, nebo cel\u00e1 \u00e9ra?<\/p>\n
1966<\/small><\/p>\n
p\u0159elo\u017eil Jaroslav Kab\u00ed\u010dek<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
Ta kn\u00ed\u017eka – Alexandr Tvardovskij: Lyrick\u00e9 sloky (Lidov\u00e9 nakladatelstv\u00ed, 1990) -, ze kter\u00e9 je n\u00e1sleduj\u00edc\u00ed uk\u00e1zka, le\u017eela ve vset\u00ednsk\u00e9m antikvari\u00e1tu rok. Po v\u0161echny m\u00e9 pravideln\u00e9 n\u00e1v\u0161t\u011bvy. Hodn\u011b b\u00e1sn\u00ed je u\u017e jen dokumentem doby, ale n\u011bkter\u00e9 stoj\u00ed za pozastaven\u00ed. By\u0165 je tento b\u00e1sn\u00edk (1910 – 1971) vn\u00edm\u00e1n p\u0159edev\u0161\u00edm jako p\u0159edstavitel ofici\u00e1ln\u00ed sov\u011btsk\u00e9 literatury, nelze zapom\u00ednat na […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-803","post","type-post","status-publish","format-standard","hentry","category-stari-dobri"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4mLP7-cX","jetpack-related-posts":[{"id":1015,"url":"https:\/\/kotrla.com\/pmpro\/2004\/05\/stari-dobri-alexandr-blok-xxxvi\/","url_meta":{"origin":803,"position":0},"title":"STA\u0158\u00cd DOB\u0158\u00cd: Alexandr Blok (XXXVI.)","author":"Pavel Kotrla","date":"2.5.2004","format":false,"excerpt":"St\u00edn Alexandra Bloka bloudil mezi n\u00e1mi\u2026 Jak divn\u00e9, \u017ee tomuto prastar\u00e9mu \u010dlov\u011bku a v\u011b\u010dn\u00e9mu hleda\u010di, kdy\u017e zem\u0159el, bylo jen \u010dty\u0159icet jedna let Franti\u0161ek Halas (*1880 - \u20201921) ST\u00cdN My dva jsme chod\u00edvali kamsi tam \u2013 po m\u011bstech \u2013 v oknech bled\u00ed lid\u00e9 byli. 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